Monthly Archives: November 2010

Oatmeal! It’s What’s for Fabric

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oatmeal drying on the fabric

I’ve used flour paste as a resist for several years and love the effects. I’ve wondered about other starch based resists, just never got around to testing them. In this month’s Quilting Arts Magazine there is an article on using oatmeal on fabric and I couldn’t “resist” trying it. I was a little dubious when I cooked it up and smeared it on the fabric but I like the effect. Some areas are partially resisted by the oatmeal goo (why my husband hates the stuff) and some are completely resisted by the oats themselves. It’s a little hard to wash out. Soak the fabric first then throw the oats in the trash. If you put them down the sink they’ll clog your drain. Next up, trying it on some bigger pieces.

oatmeal resist on raw silk

oatmeal resist on raw silk

Positive/Negative

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dyed cheesecloth and fabric dyed with cheesecloth

I’ve been working back and forth with imagery, using doilies and cheescloth to both print with (positive image) and as resists (negative). For example, I used cheesecloth to create breakdown printing screens. I first coated the blank screens with thickened dye in two reds. I layed the cheesecloth onto the screen and let it dry overnight. When I pulled the cheesecloth off the screen it was coated in dye. I soaked some cotton in soda soak solution then laid the dye soaked cheesecloth on top, rolled it up in the fabric, and batched it overnight. Voila! Dyed cheesecloth and dyed cheesecloth pattern on the fabric.

printed with the breakdown screen

printed with the breakdown screen

I then printed the breakdown screens. I added a little Moss dye to the print paste along with the fix mix to get a blended color in the prints. I knew I wanted to tone down the red after having seen the first set of dyeing. In these fabrics you see the print paste through the negative space where the cheesecloth dried on the screens. So again, I got three for the price of one: the dyed cheesecloth, the fabric “printed” with the positive image of the cheesecloth, and the breakdown printing using the cheesecloth as a resist.

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Blades

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I’ve been developing a new series called Blades. It’s grown out of what I started this Summer working with grass, both literally and metaphorically. The Grasses Series was an investigation started by printing with blades of grass on the silk screen. I was thinking about grass and how it is so common that we don’t see it except as a green expanse in a manicured lawn, or as weeds coming up where we don’t want them. The idea of “grass roots” as a powerful way to spread information becomes clear when trying to weed long underground shoots out of flower and vegetable beds. The resulting fabrics turned out very interesting but I didn’t end up using them as I had intended in the pieces I made this Summer. They were either too small, or just weren’t right for those pieces.

The pieces I completed this Summer, which will be in a group show called Olive Branch at Foster/White in their December, ended up being more about grains and are titled Emmer and Spelt. Only one piece said “grass” to me and I titled it Stipa, a latin name for a type of grass.

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sketchbook images of blades

So I started working with the grass fabrics again this Fall, making some shapes that would work with them and the series morphed again. The grass shapes became Blades which have become a much deeper series than I originally intended. I currently have eight shapes made in paper and am planning on making four or five more. There’s another series brewing as well, the Cotyledons. I’m hoping to develop both of the series together. I’ve got three of the Cotyledons so far, hoping to do a good number of them along with the Blades.

I’ve been dyeing as I go along with the paper work. Although the fabrics may not be specifically for these pieces, I’m sure there will be some overlap. I’ve been trying to stay focused on working in the paper but sometimes I just need to take a break and get some color on fabric. These wet and dark Fall days have been good studio days for me. It’s easier to spend time concentrating in the studio when it’s raining outside.IMG_1175

Doilies

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I’ve been working with doilies lately. I love the way they look and feel. I love the way they get dyed and overdyed when I work with them. I love that they are relics from another time when people made things by hand. You can almost feel the hands of the grandmothers and aunts who made them. Sometimes I feel a little guilty that I am “ruining” them by using them but they look so beautiful after they’ve been through the dyes and I know they would just be forgotten in some drawer if I wasn’t using them.  This way I’m giving them another life. These photos show me using them as a resist while printing a big breakdown screen. In the photo below you can see the outline of the doily under the screen. After the screen was pulled I used the dyed doilies to print  a piece of silk, then I rolled them up in some soda soaked fabric and let them sit overnight. Each gave a different effect, three for the price of one, plus I have the lovely doilies to reuse. A good new life I would say.

the doily used as a resist

the doily used as a resist

dyed doilies batched with fabric

dyed doilies batched with fabric

printing with the dyed doilies

printing with the dyed doilies